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\n\t\t\t\tThe ecret Life of Words<\/a>\n\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t

\n\t\t\t\t\t\t\t\t\t\tSarah Polley<\/a>\n\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/tr>\n\t\t\t\t\t\t\t<\/table>\n\t\t\t\t\n\t\t\t\t\t\tI went to see this last Isabel Coixet's movie three hours ago and its beautiful and powerful story is still bouncing in my head... the sea, Tim Robbin's eyes, Hanna's beautiful voice and her intense way of holding her feelings, Simon's delightful food in the middle of nowhere..\r\n\r\nThe way it is conceived is somehow simple, a mysterious woman, in my opinion extremely well resolved by Sarah Polley, happens to arrive to a remote place where a bunch of loners have just had a deep dramatic experience. As explicitly mentioned in the movie, 'God makes them..' ('Dios los cria'.., in Spanish), and so as she gets there she expands and relaxes in this environment where no one really expects anything from anybody.\r\n\r\nThe takes are so beautiful, the thousand different feelings that the same isolated landscape in the middle of the sea projects through the movie is unbeatable. The cast of characters is solid, and the supporting characters are developed enough so as to allow the viewer to understand, in basic terms, what brought them there.\r\n\r\nFinally, the use of Tom Waits for the final transition is sublime! but, yeah, how could it not be? Tom Waits's music is the music for these films where the very deep of the heart is at stake.\r\n\r\nSo, yes, I do recommend this movie for anyone who cares or wants to care or would like to be able to care about people who have been profoundly wounded at some point. And this, I am afraid, hopefully includes you. Thanks Isabel. <\/span>\n\t\t\t\t\t\t
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\n\t\t\t\tThe Hangover Part II<\/a>\n\t\t\t[1 clip]<\/span>
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\n\t\t\t\t\t\t\t\t\t\tJamie Chung<\/a>\n\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/tr>\n\t\t\t\t\t\t\t<\/table>\n\t\t\t\t\n\t\t\t\t\t\tI was really optimistic going into the theatre, I didn't expect it to as great as the original, but I thought it would still be good movie. But most of the material was stuff taken from the original only tweaked, and I hate to say it but I was actually bored for a good part of the movie. Some of the jokes\/scenes dragged to long, to the point where I didn't find them funny anymore. There were some good moments, but the truly outrageous\/original scenes that made the original so great were too few and far between. Some of the scenes were more outrageous in the sense that there was some full frontal nudity, but I'm not someone who finds that super entertaining. Overall it felt to me like a re-hash of stuff that had already been done with some naked people thrown in, and it just wasn't enjoyable like the first movie. <\/span>\n\t\t\t\t\t\t
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\n\t\t\t\tThe Secret Life of Words<\/a>\n\t\t\t[1 clip]<\/span>
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\n\t\t\t\t\t\t\t\t\t\tSarah Polley<\/a>\n\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/tr>\n\t\t\t\t\t\t\t<\/table>\n\t\t\t\t\n\t\t\t\t\t\tI went to see this last Isabel Coixet's movie three hours ago and its beautiful and powerful story is still bouncing in my head... the sea, Tim Robbin's eyes, Hanna's beautiful voice and her intense way of holding her feelings, Simon's delightful food in the middle of nowhere..\r\n\r\nThe way it is conceived is somehow simple, a mysterious woman, in my opinion extremely well resolved by Sarah Polley, happens to arrive to a remote place where a bunch of loners have just had a deep dramatic experience. As explicitly mentioned in the movie, 'God makes them..' ('Dios los cria'.., in Spanish), and so as she gets there she expands and relaxes in this environment where no one really expects anything from anybody.\r\n\r\nThe takes are so beautiful, the thousand different feelings that the same isolated landscape in the middle of the sea projects through the movie is unbeatable. The cast of characters is solid, and the supporting characters are developed enough so as to allow the viewer to understand, in basic terms, what brought them there.\r\n\r\nFinally, the use of Tom Waits for the final transition is sublime! but, yeah, how could it not be? Tom Waits's music is the music for these films where the very deep of the heart is at stake.\r\n\r\nSo, yes, I do recommend this movie for anyone who cares or wants to care or would like to be able to care about people who have been profoundly wounded at some point. And this, I am afraid, hopefully includes you. Thanks Isabel. <\/span>\n\t\t\t\t\t\t
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